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Beryl Graham
Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
Osmose: L´univers de Char Davies
1995
Asiomanoff, Florent. Osmose: L´univers de Char Davies Nov´Art , no. 18 (Fall 1995): 12.
La polysensorialité dans Osmose de Char Davies
2000
Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.
Natural Artifice
1991
Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.
Techne as poiesis: Seeking Virtual Ground
1997
Davies, Char. Techne as poiesis: Seeking Virtual Ground edited by Roy Ascott, 28. : University of Wales, Newport, 1997.
Diana Domingues
Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
Osmose: Towards Broadening the Aesthetics of Virtual Reality
1996
Davies, Char and John Harrison. Osmose: Towards Broadening the Aesthetics of Virtual Reality Computer Graphics (ACM SIGGRAPH) 30, no. 4 (1996): 25-28.
Jelena Guga
Jelena Guga is a theorist of arts and new media. Her work largely focuses on the ways new media technologies have rearticulated and redefined the notions of identity and embodiment in the age of constant connection and technological augmentation –
Robert W. Sweeny
Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in
Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies
2002
Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.
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