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  • 2022, interactive online video for mobile devices with touch-screen (runs in web browser; best suited for iPhones and iPads) In her interactive video work Smart Pantheon RGB, Myriam Thyes addresses the almost religious devotion we give to our
  • Restany, Pierre, ed. Chapelle des Jesuites. : Edition Maeght, 1991.
  • World Skin
    Event: World SkinInstitution: ISEA2000, Chapelle de l'Ecole Nationale Supérieure des Beaux Arts de ParisComment:
  • Showing the work Enjeux
  • Enjeux -
    Event: EnjeuxInstitution: Théâtre La ChapelleComment:
  • The Waiting Room -
    "The Waiting Room" is a virtual space that 50 users share through the Internet. The visitors to the space are strangers, united by the software, the Internet, and the artwork itself. In this space the visitor becomes a participant in a moving
  • Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
  • 'Divination: A Romantic Mutiny in a Maelstrom of Data' by Nancy Mauro-Flude. Produced by Contemporary Art Tasmania. The maiden voyage performance of Pyrate Queen and her crew, set sail for the duration of Dark Mofo 10–19 June 2016. Toured in 2017
  • Penny, Simon. Charlie Chaplin, Stelarc and the Future of Humanity Artlink 9, no. 1 (1989).
  • Ashby, William Ross. An Introduction to Cybernetics. London: Chapman and Hall Ltd., 1956.