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Season in Hell: State of the Union: the Fateful Embrace
2005
-
2005
Video: The remix of President George W. Bush's 2005 State of the Union speech is set to Richard Wagner's Liebestod from Tristan und Isolde, a tale of two lovers who suffer a fateful embrace with love and death. In Bush's speech, a
Orpheus (Video for Ballet production)
2014
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2014
How can we see that the lively dancer on stage is on her way to be resurrected from the death? Thermography was the ideal medium for the production of Orpheus and Eurydike
ADA_ArtistInterview_SuzanneAnker.pdf
ADA Artist Interview with Suzanne AnkerArchive of Digital Art, September 2021Full text and interview by Carla Zamora on ADA:https://www.digitalartarchive.at/features/featured-artists/featured-artist-suzanne-anker.htmlYou are considered being a
Gardens of the Anthropocene
2016
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2017
...The augmented
real
ity (AR) installation Gardens of the Anthropocene...
Quarxs, dessins et vidéos
2011
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2011
L’exposition à la médiathèque George Sand présente le travail vidéo de Maurice Benayoun - La série Quarxs réalisée entre 1990 et 1993 en collaboration avec le dessinateur de bandes dessinées François Schuiten et l'écrivain Benoît Peeters. une des
Carré blanc sur fond blanc
1990
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1990
Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
William Kentridge: Black Box / Chambre Noire
2005
-
2006
... von Papierarbeiten
real
isierte.* Kentridges...
Season in Hell: Inauguration of Death
2005
-
2005
The nation's Capital has been transformed into a mighty walled fortress, armed to the teeth, locked-down, swept-clean - all joy has been strangled - on any suspicion, they would pounce with the stealth of a wild beast. (source:
Totem of Heavenly Wisdom
1996
To create this 5-channel video sculpture the artist searched for abstract forms and movements of the human body that trigger powerful associations with the processes of life and death, transforming images of "innocent" body parts into fetishistic
Zoe Beloff
Beloff is a filmmaker who doesn´t just make films. Taken as a whole, Beloff´s recent work constitutes a sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
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