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  • Biocybrid Ouroborus: geographisms of the extase -
    ...Workshop and exhibition, results from the collaborative practice of a group of scientists and artists who were involved in all stages from the preparatory stages, in Brazil, to the event in Havana. LART, in the Art and Science circuit by proposing transdisciplinary...
  • There`s no Simulation like Home -
    ... culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been removed to reveal the back of the inner plasterboard skin. Electricity and video...
  • A Midsummer Night's Dream -
    ... in stereoscopic 3D and outfitting the audience with 3Dglasses created the illusion that the virtual settings shared the stage with the actors. Doing so created a bridge between the 2-dimensional, cinematic images of the scenery and the 3-dimensional...
  • LAB 3: MARS - Media Arts ReSearch -
    ... various tracking techniques such as computer vision and electro field sensing. A multi-user camera tracking system for the stage space was developed for the networked performance installation Murmuring Fields (1997– 99), as well as a novel interface, the...
  • Erkki Huhtamo
    ... Watari-Um Museum of Contemporary Art, Tokyo, 2013.Huhtamo has published extensively, lectured worldwide and given multimedia stage performances using both modern and original 19th-century media technology such as magic lanterns. With the artists Golan Levin...
  • Philip Beesley
    ... His Toronto-based practice PBAI is an interdisciplinary design firm that combines public buildings with exhibition design, stage and lighting projects. The studio’s methods incorporate industrial design, digital prototyping, and mechatronics engineering....
  • Responsive Workbench - video
    ... the Future, as in the case of GMDs’ Responsive Workbench. In collaboration with Pat Hanrahan of Stanford University, the stage was set for further development on an American scale. Support for the project has been in the form of a grant from Interval...
  • Franco Mazzucchelli
    ... materials: for example, by addressing them to design, architecture or urban furnishings with the sole exception of stage- or set-design. It is from this inability to reduce to a good and the inextricable relationship of these objects with "the here...
  • EMOTIONS IN SPACE
    ...ets, and the work’s merging of the real and the fictitious is part of what the artist, Maurice Benayoun, calls ‘Critical Fusion’. Stages of the emotional streams Flows of the world’s emotions rise and mutate when in contact with the real winds. Images from ‘Emotion...
  • EMOTION WINDS video
    ...ets, and the work’s merging of the real and the fictitious is part of what the artist, Maurice Benayoun, calls ‘Critical Fusion’. Stages of the emotional streams Flows of the world’s emotions rise and mutate when in contact with the real winds. Images from ‘Emotion...
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