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eMoving Stills
2008
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2008
La Mécanique des émotionsest un grand récit en œuvres: performances, sculptures, installations, machines... eMoving Stills sont comme un film sous-titré dont les photogrammes ponctueraient les étapes, semant les indices d'interprétation d'une
Kitsun
2010
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2010
KITSUN est un instrument de navigation fondé sur la dynamique des flux sémiques urbains. Dans les champs d’attractions qu’ils génèrent, ces flux informationnels viennent se substituer aux champs magnétiques de la boussole dans la détermination des
Last Life
2010
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2010
Connectez votre webcam qui filme une partie de votre vie, de votre environnement ou du monde réel alentours. Le Reality Show appliqué au jeu vidéo en ligne Votre webcam devient une fenêtre dans Last Life, la dernière vie, la votre. Si les autres
Art Total
2010
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2010
The relationship between the work and its frame and between art and its spaces for exhibition and legitimisation has been one of the preoccupations of twentieth-century artists. In the multiple conceptual acrobatics which led Klein to exhibit
The Art Collider
2010
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2010
Artistic Statement The proliferation of networks and communication systems fosters the free circulation and the diversification of exchanges, which create a redistribution of values, as opposed to those in economics which are merely transactions.
The Dump: Recycling of Thoughts
2010
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2010
... blog de
Mau
rice Benayoun....
Emotion Ringtones
2008
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2008
Emotion Vending Machine looks like a beverage vending machine, where users can select a range of emotions, shaped as dynamic cards, updated in real-time with web data. Users select three from a list of nine emotions, such as “fear”, “joy” or
Blind love ready made: l'amour aveugle prêt à l'
2008
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2008
Windows Media Player software, with graphic sound transformation function. An extract from a video gleaned on the Internet, with only the sound on. Video extracts of pornographic films projected non-stop. The software gives infinite possibilities
Falling pixels
2007
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2007
It is difficult to watch a man falling from the world trade centre without attempting to track down evidence of something between the indescribable and the unthinkable. Beyond the symbolism of the event, the instant touches on another of our fears.
Interactivity: the dead end of our artistic era
2007
Interactivity: the dead end of our artistic era
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