Search

Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.

Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures 1992

Stone, Allucquére Rosanne. Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures In Cyberspace: First Steps, edited by Michael BenediktCambridge: The MIT Press, 1992.
SIGGRAPH Art Gallery 2025 2025 - 2025

Liquid Views - Echoes of Self (2025) "Liquid Views - Echoes of Self (2025) is a video reimagining of the 1992 interactive installation that blends nature, art, and technology in a reflection on digital identity. It draws on the ancient act of
Surface Tension 1992 - 1993

Surface Tension is an interactive installation where an image of a giant human eye follows the observer with orwellian precision. This work was inspired by a reading of Georges Bataille’s text The Solar Anus during the first Gulf War –the first
Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976 1992

... 1976. Frankfurt am Main: Peter Lang, 1992.
Kunst in Bewegung / Art in Motion : Liquid Views - The Virtual Mirror 2018 - 2019

... Mirror of Narcissus (1992) in "Kunst in Bewegung ...
Hegedus

... at the Budapest Academy of Applied Arts,... Frankfurt/Main. In 1992, she was...
Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation 1992

Bredekamp, Horst. Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation In Interface I: Elektronische Medien und Künstlerische Kreativität, edited by Klaus Peter Dencker, Hamburg. :
Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop 1992

Alanen, Antti and Ilppo Pohjola. Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop. Helsinki: VAPK-Kustannus, 1992.
ANGELS 1989 - 1992 video

The First Immersive Virtual Reality Movie. "ANGELS" was conceived at MIT & developed at the Hitlab in Seattle. It was completed in December 1991 and recorded on video in January 1992. This revolutionary movie was programmed for the 3 senses: visual,
Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art 1992

Harley, Ross, ed. Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art. Sydney: TISEA, 1992.

Search results 101 until 110 of 601

Archive Search