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Context Providers: Conditions of Meaning in Media Arts
2011
Nideffer, Robert and Margot Lovejoy and Christiane Paul and Victoria Vesna. Context Providers: Conditions of Meaning in Media Arts. University of Chicago: University of Chicago, 2011.
Eight Questions (and Answers) about Machinima
2011
Nideffer, Robert. Eight Questions (and Answers) about Machinima Journal of Visual Culture 10, no. 1 (April 2011): 66-73.
Exploring Color Photography. From Film to Pixels
2015
Hirsch, Robert, ed. Exploring Color Photography. From Film to Pixels. 6 th ed.New York/London: Focal Press, 2015.
Virtual Reality
2008
Nideffer, Robert and Kevin Ponto and Falko Kuester and Simon Penny. Virtual Reality. unknown: Springer-Verlag, 2008.
Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien
2012
Simanowski, Robert. Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien. Bielefeld: transcript, 2012.
Alexander Hahn - Electronic Media, 48p. German/English
1989
Robert Fischer and Michael LaChance and Alexander Hahn. Alexander Hahn - Electronic Media, 48p. German/English. Kunstreihe, Zürich: Pro Helvetia, 1989.
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
2011
Simanowski, Robert. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. Vol.35. Electronic Mediations, Minneapolis: University of Minnesota Press, 2011.
Mentalizing about emotion and its relationship to empathy
2008
Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
Mentalizing about emotion and its relationship to empathy
2008
Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
Whitney Biennial 2002 Net Art Selection
2002
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2002
The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
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