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  • Mirko Lazović graduated at the University of Arts in Belgrade and Royal Academy in The Hague, got his MA from the Royal Conservatory in the Hague (2008). His installations place strong thematic emphasis on presence, interactivity, and compositional
  • NET(WORK) -
    The projetct is dedicated to the phenomenon of nets. As we know, nets are some of the primary means for catching aquatic bioresources. The net thrives as a universal symbol with many possible applications and analogies. The word “net” – set’ – can
  • Ascott, Roy. Concerning Nets and Spurs / Netze und Sporen In Artificial Intelligence in the Arts, edited by Richard Kriesche, 44-51. Graz, AUT: Steirischer Herbst, 1985.
  • Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
  • Zabel, Igor. Slovene Art 1995 – 2005: Territories, Identities, Nets Ljubljana: Museum of Modern Art (2005).
  • Event: Slovene Art 1995-2005: Territories, Identities, NetsInstitution: Museum of Modern Art LjubljanaComment:
  • NetSpace -
    Exhibition of the artist's work "Recombinant Icon" as part of this international group exhibition on artists' creative work with software. Curated by Elena Giulia Rossi. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • "This project unfolded around an anti-NATO militarism web portal that was founded in August 2001 and ran until late 2006. The website gained international popularity over the years through covering news about NATO's expansion into Eastern Europe,
  • Extended Family -
    "Installation with human beings (Homo sapiens), zebra-fish (Danio rerio), fruit flies (Drosophila melanogaster) and DNA microarrays. With “The Extended Family” the similarities between all live organisms are asserted. It will be shown that when
  • Eventmodul::anonymous.databody.muttering addresses the phenomenon of our digital identity. knowbotic research builds data bodies from the many personal traces we leave when using forms of digital communication. In this installation, visitors can