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    NaClArtist: Ellen SandorComment:
  • In her VR piece, The Parallel Dimension, Teresa Wennberg based her work concept on a realistic form language combined with highly sophisticated texture maps. There is a clear relation to her earlier works in 2- and 3-dimensional computer animation
  • Roc Parés Burguès (Mexico, 1968. Lives and works in Catalonia since 1983). http://roc-pares.net Professional profile • Researcher of the Interactive Communication Group of DigiDoc, UPF. • Professor of Interactive Communication and Media Arts:
  • Peter C. Simon is a sound and video artist and curator whose current interests include sound art, field recording, DIY analog instruments and the connections between electroacoustics, extreme music, film and video and leftfield sciences. He holds MA
  • I work to find an effective point of stability in the digital era, mixing together knowledges of psychological experience taken from physical interactions, with the ethereal circumstances of digital-induced situations. In my opinion, digitalism is
  • W E L C O M E T O M Y B R A I N The human brain has hitherto been considered a static organ with a fixed set of neurons that are being used up without ever being replaced again. Now research is discovering that the brain is an extremely dynamic
  • Marta de Menezes. Investigação em Arte NADA 15 (2010).
  • Marta de Menezes. Decon: desconstrução, descontaminação, decomposição NADA 9 (2007): 98-109.
  • During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This
  • "A culture is dead when its myths have been exposed. Television is exposing the myths of the republic. Television reveals the observed, the observer, the process of observing". — Gene Youngblood Initially, a single image of Nam June Paik,