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Interfaces of Performance
2016
Chatzichristodoulou, Maria and Janis Jefferies and Rachel Zerihan, ed. Interfaces of Performance. London: Routledge,
2016
.
Luz Maria Sanchez
Luz María Sánchez Cardona is a transdisciplinary artist, writer, and scholar. She holds a doctorate in Art from the Autonomous University of Barcelona. Sánchez Cardona is the recipient of two consecutive Honorary Mentions at Prix Ars Electronica:
Terabyte Psychedelics s02
2016
-
2016
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created:
2016
This is a still image from Acevedo’s Electronic
At Play: a moment in the life of objects
2016
Kusch, Martin and Marie-Claude Poulin. At Play: a moment in the life of objects In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by K. Gsöllpointner and R. Schnell and R. Schuler, 110-113. Berlin: De Gruyter,
2016
.
Temos uma Questão!
2015
-
2015
In preparation for hosting the
2016
Olympic Games, Brazilian officials promised to clean up Guanabara Bay, where sailing, rowing and windsurfing competitions will be held. The water is heavily polluted, with nearly 70% of Rio de Janeiro’s untreated
Graphical sound - from inception up to the masterp
iec
es. In: ERCAN, Burçin (ed.).
2016
... sound - from inception up to the masterp
iec
es. In: ERCAN, Burçin (ed.). Musicult '16 : III....
Kayak Libre
2016
Luksch Manu. Kayak Libre. London: Manu Luksch,
2016
.
Animals Are Dumb and Plants Even Dumber
2016
Bismarck, Julius von. Animals Are Dumb and Plants Even Dumber. Bielefeld: Kerber,
2016
.
Wo realer und virtueller Raum verschmelzen
2016
Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September
2016
).
Ruth Schnell
... in dynamic projection. Large scale p
iec
es such as Territorism (2002), Gegen die Zeit... (2001/2008) or Topography of Movement (
2016
) use digital image production and differing...
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