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  • Dave Everitt
    Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two
  • Designing Interfaces for Interactive Artworks
    Sommerer, Christa and Laurent Mignonneau. Designing Interfaces for Interactive Artworks In KES 2000 Knowledge Based Engineering Systems, Conference Proceedings, , 80-84. Brighton: University of Brighton, 2000.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund
    Museen der Stadt Dortmund, ed. vision.ruhr. Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund. Ostfildern-Ruit: Hatje Cantz, 2000.
  • Peter d`Agostino
    Peter d'Agostino is an artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of installations, performances, telecommunications events, and broadcast
  • Sordid Sites: Voyeurism and Exhibitionism in the Internal Organs of a Cyborg
    Hamlett, Sian; Prophet, Jane. Sordid Sites: Voyeurism and Exhibitionism in the Internal Organs of a Cyborg FELIX Magasine: Voyeurism Issue (2000).
  • Romantisierung des Antikörpers. Gier und Begehren im (Cyber)space
    Hershman, Lynn. Romantisierung des Antikörpers. Gier und Begehren im (Cyber)space In Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts, Kunstsammlung Nordrhein-Westfalen, Köln: DuMont, 2000.
  • Verlust des Zeugen: Das lebendige Werk
    Grau, Oliver. Verlust des Zeugen: Das lebendige Werk In Metamorphosen: Zur Veränderung der Gedächtnismedien im Computerzeitalter, edited by Götz-Lothar Darsow, 101-121. Stuttgart, Bad Cannstatt: Fromann-Holzboog, 2000.
  • Sylvia Eckermann
    Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Datenbank der Virtuellen Kunst
    Grau, Oliver. Datenbank der Virtuellen Kunst Kunstchronik 11 (2000).
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