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  • Fernfühler beleben den öffentlichen Raum und bringen Gestalt und Gestaltung in das Bewusstein der Öffentlichkeit. Fernfühler können auch spielen, da sie mit anderen Fernfühlern verbunden sind und diese (bzw. die Menschen, die auf ihnen sitzen) in
  • Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
  • Featured this month: ARS MEMORIA: ART, IDENTITY AND LOCATIONAL MEMORY Curated by Dr Shaun Wilson This exhibition presents artwork that incorporates issues of identity by using the image as a mode of articulating, and from this coming to terms
  • Coventry University dominates in the centre of Coventry, a sprawling campus that is gradually swalllowing more and more formerly public spaces as it builds an academic empire on top of what was once the bustling centre of a large manufacturing town.
  • Deep Sleep moves backwards and forwards in time between a notorious Sydney psychiatric institution of the 1970's where patients were subjected to "deep sleep" therapy, and the Chelmsford Royal Commission, established in the 1990's to investigate the
  • Interfaces -
    "Interfaces" was a live exchange conceived and organized by Eduardo Kac which took place on December 10, 1990, between a group of artists in Chicago and another group in the Center For Creative Inquiry, at the Carnegie-Mellon University, Pittsburgh.
  • Machines & Souls -
    maquinas&almas - machines&souls "The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science". Albert Einstein Curated by Art Futura, at Reina Sofia Museum, Madrid 26
  • Titrisme -
    3 versions of the project from the Dump: Titlism "Can we imagine a work wandering like a lost soul in search of a meaning, simply because it had become impossible to give it a permanent title? Would each proposition give the picture a different
  • Lynn Hershman Leeson turned the lens back on Lincoln Schatz by bringing in various cameras to photograph the portrait process during her session.
  • The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to