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Intuitive Visual Interaction for Transfiction
2001
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2001
Intuitive movements in front of a mirror are banal. Replacing the mirror by a screen showing a similar mirrored image, but filmed and augmented with "transfiction/alized elements, results in visual interaction, in body movements, which can trigger
Palo Alto
2017
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2018
Palo Alto is Banz & Bowinkel’s second work dealing with the representation of a hypothetical virtual reality. Driven by the notion that the virtual world is not the sphere of simulated reality but rather its counterpart, the computer acts as an
William Kentridge
2004
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2005
William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by
So.So.So. (Somebody, Somewhere, Sometime
2002
-
2003
video
So.So.So. is an interactive installation by Maurice Benayoun that plunges the onlooker in the middle of the moment the one of photography which reveals a complex network of characteristic signs from our own experience of reality. What the visitor
THE ISLE THAT WAS A BOOK
2010
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2011
video
A revolutionary Poetry Book, programmed in Web Based VRML and conceived for immersion. Texts translated from "Vite de la Banane", available at the New York Public Library, and the urbana Champaign Library of Illinois. Read by the author. The
>=4D. Arte Computacional Interativa
2004
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2004
Event: >=4D. Arte Computacional InterativaInstitution: Centro Cultural Banco do BrasilComment:
Centro Cultural Banco do Brasil
Terrarium
2004
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2004
Curated by Maria Luiza Fragozo and Tânia Fraga.
House of Cards
2008
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2009
Director of Technology - House of Card's Music video, interactive data viewer, and source code. With Director James Frost and a bunch of other great people, lasers and sensors were used to create a 3D data "music video" for the band Radiohead.
Aunt Sally
2013
In 2012, Philippe Blanchard and Pierre Jolivet made another voyage to Middle East and found themselves in Beirut by the invitation of Sharif Sehnaoui, well known experimental guitarist, composer and contemporary artist who brought the art of noises
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