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  • Anamorphic Kinetic
    In 2011 a kinetic installation for the deutsche bank headquaters in Frankfurt had been realized on the basis of an anamorphic distortion of their logo. The logo had been designed by anton Stankowsky in 1974 and was a radical step towards simplicity
  • Critical Art Ensemble
    Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
  • [ epidemiC]
    [epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
  • Thorsten Fleisch
    After highschool and community service in an institution for the mentally ill he went to Marburg to study art, music and media at Phillips Universität. One year later he changed to the Städelschule in Frankfurt in order to study film with Peter
  • Hegedus
    Agnes Hegedüs, born in Budapest in 1964 studied Photography and Video Art at the Budapest Academy of Applied Arts, followed by the Minerva Academy, Groningen, the Kunstakademie Enschede and the Institute of New Media, Städelschule, Frankfurt/Main.
  • Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language
    Zapp, Andrea. Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language In Computer Art Faszination, edited by Gerhard Dotzler, 236. Frankfurt/Main: Dr. Dotzler Medien Institut, 1993.
  • Theorie des Films: Die Errettung der Äußeren Wirklichkeit
    Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
  • Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie
    Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.
  • Video als Raumkunst
    Weibel, Peter. Video als Raumkunst In Video – Apparat/Medium, Kunst, Kultur. Ein internationaler Reader, edited by Siegfried Zielinsky, 147-151. Frankfurt/Main, Bern, New York, Paris: Peter Lang Verlag, 1992.
  • Ryoji Ikeda
    Japan's leading electronic composer Ryoji Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical
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