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Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist

Event: Machinic Diatom series of new 15 new 3D Giclee prints on paperInstitution: Museo de Arte de CaldasComment:

The paper "Transmedia storytelling and online representations –issues of trust on the internet", describing the Re:Dakar Arts festival work was presented as a video talk during the conference.

Event: DIGITAL MONSTERS DON'T BLEEDSolo showSpatial object, 1700 x 500, paper tubes, sound, video, 2 gold plated sculptures (15 x 50).Institution: Kunstraum BernsteinerComment:

The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has

Event: ‘Digital Debris’ paper conference for Archaeological Media and Technological DebrisInstitution: Goldsmith, University of London, Dept. Computing Comment:

Water e-Motion: Transformative Views, paper and online presentation by Lila Moore

Title of paper and presentation: Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion

Paper: Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness

Event: Works on PaperInstitution: Julia Friedman GalleryComment: