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  • Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
  • Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.
  • Le Grande, Jean-Pierre. Char Davies: Osmose du virtuel au naturel Vie des Arts XXXIX, no. 160 (Fall 1995): 27-29.
  • Asiomanoff, Florent. Osmose: L´univers de Char Davies Nov´Art , no. 18 (Fall 1995): 12.
  • Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.
  • Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.
  • Jelena Guga is a theorist of arts and new media. Her work largely focuses on the ways new media technologies have rearticulated and redefined the notions of identity and embodiment in the age of constant connection and technological augmentation –
  • Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in
  • Davies, Char. Techne as poiesis: Seeking Virtual Ground edited by Roy Ascott, 28. : University of Wales, Newport, 1997.