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LPDT2
2010
-
2010
'LPDT2 : The Second Life of La Plissure du Texte' is the Second Life® incarnation of Roy Ascott's groundbreaking new media art work La Plissure du Texte ('The Pleating of the Text'), created in 1983 and exhibited at the Musee de l'Art Moderne de la
Approximately 3 Dimensions
2016
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2016
To make a hole, three dimensions are necessary. In the two-dimensions of the iconic thought experiment Flatland, organisms that sustain their existence through a digestive system characterized by two holes, would find themselves split in two along
ADA_Feature_Eduardo_Kac_Zamora_Mealing_2022.pdf
Eduardo Kacsounding out the non-binaryThe Archive of Digital Art, 06/2022Text by Carla Zamora and Samantha Mealing, Interview on Time Capsule by Samantha Mealing,Rachel de Joode and Herbert Gmoser.“In the course of pursuing Bio Art we have
The Bionic Dancer
1983
Allen, Rebecca. The Bionic Dancer Journal of PERD 54, no. 9 (1983).
Real time Computer Graphics from Body Motion
1983
Fisher, Scott S. and A. Marion. Real time Computer Graphics from Body Motion In Optics in Entertainment, edited by C. OutwaterSPIE 391, Cambridge, MA: 1983.
Für eine Philosophie der Fotografie
1983
Flusser, Vilém. Für eine Philosophie der Fotografie. 1983, Berlin: Verlag European Photography, 1983.
Sue Hawksley
Sue Hawksley graduated from the Royal Ballet School in 1983. She has performed with Mantis, Scottish Ballet Steps-Out, Rambert Dance Company and Philippe Genty, working with choreographers such as Trisha Brown, Merce Cunningham, Richard Alston,
Lawrence Paul Yuxweluptun
Lawrence Paul Yuxweluptun, graduated from the Emily Carr School of Art and Design in 1983 with an honours degree in painting. Yuxweluptun's strategy is to document and promote change in contemporary Indigenous history in large-scale paintings, using
Terminal New York
1983
Penny, Simon. Terminal New York Artviews Magazine (1983).
L'Oiseau-chat
1983
Fischer, Hervé. L'Oiseau-chat. Paris: La Presse, 1983.
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