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  • William Kentridge
    South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
  • World-Wide Video Festival
  • David in Orense -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: March 2000 This is the first of two versions of a
  • ADA_Feature_Eduardo_Kac_Zamora_Mealing_2022.pdf
    Eduardo Kacsounding out the non-binaryThe Archive of Digital Art, 06/2022Text by Carla Zamora and Samantha Mealing, Interview on Time Capsule by Samantha Mealing,Rachel de Joode and Herbert Gmoser.“In the course of pursuing Bio Art we have
  • The Bionic Dancer
    Allen, Rebecca. The Bionic Dancer Journal of PERD 54, no. 9 (1983).
  • Real time Computer Graphics from Body Motion
    Fisher, Scott S. and A. Marion. Real time Computer Graphics from Body Motion In Optics in Entertainment, edited by C. OutwaterSPIE 391, Cambridge, MA: 1983.
  • Für eine Philosophie der Fotografie
    Flusser, Vilém. Für eine Philosophie der Fotografie. 1983, Berlin: Verlag European Photography, 1983.
  • Emiliano Zucchini
    Emiliano Zucchini was born in Frascati in 1982 and lives in Rome. After completing his studies in Graphic Design, he began working as a graphic designer and photographer for various art publishing houses in Rome, Milan, and Ancona, building
  • LPDT2: Telematic Embrace -
    'LPDT2 : The Second Life of La Plissure du Texte' is the Second Life® incarnation of Roy Ascott's groundbreaking new media art work La Plissure du Texte ('The Pleating of the Text'), created in 1983 and exhibited at the Musee de l'Art Moderne de la
  • Terminal New York
    Penny, Simon. Terminal New York Artviews Magazine (1983).
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