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the moment is the moment
2004
-
2004
automated mirror sculpture (stainless steel mirrors, baltic birch, electrical motors) 76 3/4 x 41 1/2 x 8 inches 194.9 x 105.4 x 20.3 cm
Listening to trees across the jordan river
2019
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2020
... in it. The re
viva
l of extinct plants and...
Strange Attractors: A History of Video Production and Presentation in Ottawa
2000
Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna
2011
Kluszczyński, Ryszard W.. From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna In Blue Morph: Victoria Vesna + James Gimzewski, edited by Marta Korga and Anna Zalewska, 5-9. Gdańsk: Baltic Culture Center,
Doug Aitken
2005
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2005
automated mirror sculpture (stainless steel mirrors, baltic birch, electrical motors) 76 3/4 x 41 1/2 x 8 inches 194.9 x 105.4 x 20.3 cm
William Kentridge
2003
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2003
Event: William KentridgeInstitution: BALTIC The Centre for Contemporary ArtComment:
BALTIC The Centre for Contemporary Art
Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media
2001
Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: The John Hopkins University Press, 2001.
Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art
2014
Kluszczyński, Ryszard W.. Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art In Art Line: A Baltic Collaboration, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, 94-101. Karlskrona: Blekinge Museum, 2014.
CologneOFF 2011 Baltic Sea, National Center for Contemporary Art (NCCA), St. Petersburg, Russia
2011
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2011
David's 3D computer animation "Zikaron" was selected for screening at “CologneOFF 2011 Baltic Sea,” peer-reviewed digital video festival, National Center for Contemporary Art (NCCA), St. Petersburg, Russia, 2011
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