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Fisher, Scott S. and John O. Merritt, ed. Stereoscopic Displays and Applications II. Proc. SPIE 1457, Cambridge: 1991.

Fisher, Scott S. and M. McGreevy and J. Humphries and Robinett, W.. Virtual Workstation: A Multimodal, Stereoscopic Display Environment In Advances in Intelligent Robotics Systems, edited by D. P. CasasentProc. SPIE 726, Cambridge, MA: 1986.

Fisher, Scott S. and John O. Merritt, ed. Stereoscopic Displays and Applications III. Proc. SPIE 1669, Cambridge: 1992.

Goodman, Nelson. Ways of Worldmaking. Cambridge, MASS: Hackett Publishing, 1978.

Huhtamo, Erkki. Time Machines in the Gallery: An Archeological Approach in Media Art In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas McLeod, 232-268. Cambridge, MA: MIT Press, 1996.

Ito, M. and Scott.S. Fisher. Circulating Images of Virtual Systems: Trodes, Gloves and Goggles in Scientific and Popular Cultures In Stereoscopic Displays and Virtual Reality Systems IV, edited by Scott S. Fisher and M.T. Bolas and J. O.

Stiles, Kristine. Agnes Hegedüs, Bernd Lintermann, Jeffrey Shaw: Reconfiguring the CAVE In Future Cinema: The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 492-497. Karlsruhe, Cambridge: Center for Art and Media and MIT

Langton, Christopher G., ed. Artificial Life. An Overview. Cambridge, MA: MIT Press, 1995.

Mitchell, William J.. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, MA: MIT Press, 1994.

Mitchell, William J.. City of Bits: Space, Place, and the Infobahn. Cambridge, MA: MIT Press, 1995.