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Expôr ou perecer na investigação artística
2015
Ferreira, Helena. Expôr ou perecer na investigação artística Ironia, Crítica e Assimilação dos Métodos na Investigação em Artes , no. 7 (2015): 112 - 119.
Import/Export: Design Workflow and Contemporary Aesthetics
2006
Manovich, Lev. Import/Export: Design Workflow and Contemporary Aesthetics http://manovich.net/index.php/projects/import-export.
Lawrence Bird
Lawrence Bird practices in the visual arts, architecture, and urban design. A fascination with images of cities and geography, and relationships between image and materiality, informs his visual art practise. He has worked for Sputnik Architecture,
Particle Dreams
1988
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1988
This piece contains a collection of dream sequences created using 3D particle systems techniques. Behavior rules are applied to thousands of individual particles to model complex phenomena such as an explosion, a snowstorm, a tumultuous head, and a
Quiasma
2002
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2004
A relational narrative map of the space allows us to model a space of data that is there as a network in the subsoil to be visually exposed by whoever interacts with the DVD. An open model for ideas, for the crossings of information, for the
Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995
2000
Guasch, Anna María. Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995. Madrid, Spain: Akal / Arte Contemporáneo, 2000.
Virreina exposicions
4 Space
1991
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1991
In this interactive installation, three viewers are able to manipulate components of a computer-generated image using multi-axis joysticks positioned in front of a projection screen. The image is a half octagonal cylinder that is divided into three
L´exposition comme oeuvre
1992
Courchesne, Luc. L´exposition comme oeuvre In Muséo-séduction, Muséo-réflexion, , 163-168. Quebec City, CAN: Musée de la civilisation and Service canadien des parcs, 1992.
Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon.
2000
Chayette, Sylvie. Quoi de neuf, Docteur? Un lapin transgénique interdit d'exposition à Avignon. Le Monde Interactif (June 2000).
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