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Daniela Alina Plewe. Ultima Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.

Kac, Eduardo. Genesis In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 1999.

Weibel, Peter. Visionen der Mediengesellschaft In Konzert. Klangkunst. Computer. Wandel der musikalischen Wirklichkeit, edited by Darmstadt Institut für Neue Musik und Musikerziehung, 9-17. Mainz, DE: Schott Music, 2002.

Lozano-Hemmer, Rafael and Heimo Ranzenbacher. Metaphors of Participation / Metaphern der Partizipation - Interview with / mit Rafael Lozano-Hemmer In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von

Levin, Golan and Scott Gibbons and Greg Shakar and Sohrawardy, Jasmin. Dialtones: A Telesymphony In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine

Ranzenbacher, Heimo. Metaphors of participation / Metaphern der Partizipation In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York:

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).

Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. Rotterdam: NAi Publishers, 2010.

Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. Rotterdam: NAi Publishers, 2010.

Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. 1 th ed.Rotterdam: NAi Publishers, 2010.