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Technoetic Magick: Explorations of the uncanny double as a noetic and magickal system through the complementary lenses of AI image-generation and AR 2024

Moore, Lila. Technoetic Magick: Explorations of the uncanny double as a noetic and magickal system through the complementary lenses of AI image-generation and AR (Jul 2024): 232-239.
Completeness in Robot Motion Planning 1995

Goldberg, Ken. Completeness in Robot Motion Planning In Algorithmic Foundations of Robotics, edited by Ken et. al. GoldbergVol.1. Algorithmic Foundations of Robotic Series, Wellesley, MA: A. K. Peters, 1995.
The Complex and Multifarious Expression of Digital Artand Its Impact on Archives and Humanities (in press) 2015

Grau, Oliver. The Complex and Multifarious Expression of Digital Art and Its Impact on Archives and Humanities (in press) In Digital Art, edited by Christiane Paultba: 2015.
IMAGES(R)-EVOLUTIONMedia Arts Complex Imagery Challenging Humanitiesand Our Institutions of Cultural Memory 2014

Grau, Oliver. IMAGES (R)-EVOLUTION Media Arts Complex Imagery Challenging Humanities and Our Institutions of Cultural Memory Leonardo Electronic Almanach 20, no. 2 (2014): 71-85.
Lisa Cianci (Blackaeonium)

Lisa Cianci (A.K.A Blackaeonium) is an artist, archivist, and digital media developer from Melbourne, Australia. She makes art in both analogue and digital formats, with her current focus on real-time, code-driven animations, digital video, and
Robert W. Sweeny

Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in
Ciberadão: vida pós-humana e complexidade digital nas práticas transdisciplinares em arte e ciência 2008

DOMINGUES, DIANA MARIA G. Ciberadão: vida pós-humana e complexidade digital nas práticas transdisciplinares em arte e ciência Polêmica 23 (2008).
Evolution and Complexity 1994

Ray, Tom. Evolution and Complexity In Complexity: Metaphors, Models, and Reality, edited by George A. Cowan and David Pines and David Metzger, 161-173. Boston, MA: Addison-Wesley Publishing Co, 1994.
Modeling Complex Systems for Interactive Art 2000

Sommerer, Christa and Laurent Mignonneau. Modeling Complex Systems for Interactive Art In Applied Complexity – From Neural Nets to Managed Landscapes, edited by Halloy S. and T. Williams, 25-38. Christchurch: Institute for Crop and Food Research,
Modeling Complexity for Interactive Art Works on the Internet 2003

Sommerer, Christa and Laurent Mignonneau. Modeling Complexity for Interactive Art Works on the Internet In Art and Complexity: At the Interface, edited by John Casti and Anders Karlquist, 85-107. Amsterdam, NL: Elsevier, 2003.

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