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Mel Alexenberg
Mel Alexenberg is an artist, educator, writer and blogger working at the interface between art, science, technology and culture. His artworks explore interrelationships between the networked world and spirituality, postdigital art and Jewish
Rewa Wright
I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
Char Davies: Osmose
1995
Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.
Computer Artist Char Davies
1994
Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.
Diana Domingues
Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
Char Davies: Osmose du virtuel au naturel
1995
Le Grande, Jean-Pierre. Char Davies: Osmose du virtuel au naturel Vie des Arts XXXIX, no. 160 (Fall 1995): 27-29.
Beryl Graham
Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
Jelena Guga
Jelena Guga is a theorist of arts and new media. Her work largely focuses on the ways new media technologies have rearticulated and redefined the notions of identity and embodiment in the age of constant connection and technological augmentation –
Robert W. Sweeny
Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in
Five Into One
1991
-
1991
video
Five into one est l'une des premières oeuvres en « réalité virtuelle ». Le principe en est de construire une image tridimensionnelle globale, virtuelle, c'est-à-dire exclusivement calculée et mise en mémoire dans un ordinateur.
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