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  • Éphémère - video
    Ephémère is iconography evolved through Davies' long-standing practice as a painter, and, as in Osmose, is grounded in 'nature' as metaphor: archetypal elements of root, rock, and stream etc. recur throughout. In Ephémère however,
  • Char Davies
    Lunenfeld, Peter. Char Davies Art + Text 53 (1996): 82-83.
  • Osmose
    Davies, Char. Osmose In Arte Virtual - Realidad Plural, edited by Karin OhlenschlägerMonterrey, MEX: Museo de Monterrey, MEX, 1997.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • Char Davies: Osmose
    Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.
  • Jelena Guga
    Jelena Guga is a theorist of arts and new media. Her work largely focuses on the ways new media technologies have rearticulated and redefined the notions of identity and embodiment in the age of constant connection and technological augmentation –
  • Robert W. Sweeny
    Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in
  • Computer Artist Char Davies
    Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.
  • Char Davies: Osmose du virtuel au naturel
    Le Grande, Jean-Pierre. Char Davies: Osmose du virtuel au naturel Vie des Arts XXXIX, no. 160 (Fall 1995): 27-29.
  • Osmose: L´univers de Char Davies
    Asiomanoff, Florent. Osmose: L´univers de Char Davies Nov´Art , no. 18 (Fall 1995): 12.
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