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  • Review: Das Wunderkammer
    McCash, Doug. Review: Das Wunderkammer New Orleans Gambit Magazine (March 2003 2003).
  • ReVisioning the Virtual Wall
    The digital collages (3 shown here by Tamiko Thiel, and 3 others by Teresa Reuter/Sabe Wunsch) show scenographies of the Berlin Wall that are conceived as associative spaces of memories - by mixing temporal and geographical elements as well as "real"...
  • ReVisioning the Virtual Wall
    From 31 October - 28 November 2009, Gallery [DAM]Berlin showed on the occasion of the 20th anniversary of the collapse of the Berlin Wall for the first time internationally the large format collages of the artist team T+T, which are based on their...
  • Revisiting and Re-presenting 1980s Micro Computer Art
    Professor Sean Clark. Revisiting and Re-presenting 1980s Micro Computer Art https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.52.
  • Revolution video
    In this interactive laser-disc-based work the viewer has to push a protruding steel bar to rotate a column-mounted monitor which in turn animates the images on its screen. A friction plate forces the viewers to exert themselves physically. Turning...
  • Revolution
    Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa (2021).
  • Revolution
    Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
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