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  • Yasuaki Matsumoto
    Lives and works in Osaka, Japan until 1982 he studied at the Kyoto City University of Arts, Japan. Since 1991 he has been collaborating with Masayuki Towata in their group "Intertextuality" Currently he is working at the department of Fine Arts at
  • Between Zero and One
    Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
  • Kim Asendorf
    Kim Asendorf is a conceptual artist and works in a large area of media and digital related art. He loves to transport things from the Internet into real life and back. Kim did several net art projects, often based on data taken from the Internet or
  • V2_Lab for the Unstable Media
  • Der symbolische Tausch und der Tod
    Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
  • Viewpoint Dependent Imaging: An interactive stereoscopic display
    Fisher, Scott S.. Viewpoint Dependent Imaging: An interactive stereoscopic display In Proc. SPIE367, edited by S. Benton: J.J. Pearson, 1982.
  • Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung
    Gibson, James J.. Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung. München: Urban and Schwarzenberg, 1982.
  • Joseph Nechvatal
    Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • Navigator. A Posthumous Biography of Geoffrey Lloyd
    Penny, Simon, ed. Navigator. A Posthumous Biography of Geoffrey Lloyd. Adelaide, AUS: Experimental Art Foundation, 1982.
  • Die Form der Zeit: Anmerkungen zur Geschichte der Dinge
    Kubler, George. Die Form der Zeit: Anmerkungen zur Geschichte der Dinge. Frankfurt/Main: Suhrkamp, 1982.
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