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El último mono desafía a Darwin 1999

Casares, Nilo. El último mono desafía a Darwin In Hecho Artístico y Medios de Comunicación (III Seminario de la AVCA), edited by Asociación Valenciana de Críticos de Arte (AVCA)Vol.1. , 4. Valencia, Spain: Colección Formas Plásticas de la
21a Bienal de Artes Plasticas de Sao Paulo 1991 - 1991

Event: 21a Bienal de Artes Plasticas de Sao PauloInstitution: Museu de Arte de Sao Paulo (Masp)Comment:
Formas Computables 1969 - 1969

Exhibition organizated by the Centro de Cálculo of the Complutense University in Madrid, after the first Seminar of Generación Automática de Formas Plásticas
Generación Automática de Formás Plásticas 1970 - 1970

Event: Generación Automática de Formás PlásticasInstitution: Complutense UniversityComment:
Poesia Holográfica: as três dimensões do signo verbal 1984

Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.
Poesia Holográfica: as três dimensões do signo verbal 1984

Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.
“artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par l’image ?” Aux frontières du reel… et du virtuel / mobilités transfrontalières 2014

Event: “artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par l’image ?” Aux frontières du reel… et du virtuel / mobilités transfrontalièresInstitution: 12e
Scan Sweep Swipe Wipe 2015

Scan Sweep Swipe Wipe investigates the possibilities of volumetric imagery; imagery that can literally be seen 'in the air' in three physical dimensions. The goal of the work is not generating a realistic three-dimensionality that represents reality
Simone Michelin

SM Lives in São Paulo as a New Media Artist and Researcher employing computer-based technologies and moving-image associated to architectural constructions in the production of art. Michelin investigates the production of social space through
reconfigure(d) - object 2 2013 - 2013

The sculptures “reconfigure(d) – object 1 and 2” are part of a series of kinetic objects dealing with elusive states of consciousness and the translation of brain activity measurements into rhythms. With this body of work I am studying the

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