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  • Flanagan, Mary and Peter Carini. How Games Can Help us Access and Understand Cultural Artifacts American Archivist 75, no. 2 (2012): 514-537.
  • Event: Conférence RIAM, La Belle de Mai, Marseille, 29 avril 2003Institution: RIAM - Les Rencontres de Indentity & Access ManagementComment:
  • 080808, the second UpStage festival of online performance, took place on 8 August 2008, featuring 13 performances by artists from around the world, and RL access nodes in Wellington, Munich, Oslo and LA.
  • Could this be the future of cinema? ''The Paradise Institute,'' by Janet Cardiff and George Bures Miller, is an almost scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of
  • Dominic Harris (London, 1976) is an artist who uses technology to construct highly personal interpretations of the natural phenomena which surround us. His reverence for nature, coupled with his fascination for code, offers a surreal and whimsical
  • Timeframe -
    Timeframe was developed as a possibility to re-access previously installed media art in the centre for art and media (ZKM) Karlsruhe
  • An Explicit Volume -
    An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing
  • Reinhuber, Elke. Augmented Reality and how to access archived media art a counterfactual media art exhibition International Conference on Virtual Systems & Multimedia (VSMM) (2014): 287-294.
  • Hi, thanks for your interest in my work. I'm both a composer of experimental music and an internet artist. Please find below a list of my website-specific activities. For access to my musical works on Mille Plateaux, mappa etc. please visit my