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  • Tryalogue
    Three white balls in the field of snow. The balls are robots capable of autonomous and coordinated movements. They are exchanging information about their reciprocal positions and are using as a motion equation the law which is qualitatively
  • Ars Electronica 1994 Award Winners
    Bond, Fran. Ars Electronica 1994 Award Winners access 8, no. 2 (1994): 28.
  • Introductory Essay from a CAMP Event : On the Excess of Images, and of Access to Images
    Sukumaran, Ashok. Introductory Essay from a CAMP Event : On the Excess of Images, and of Access to Images .
  • +/- [the infinite between 0 and 1]
    Yoshizaki, Kazuhiko and Kohsuke Murata Murata and Kazuya et. al. Kondo, ed. +/- [the infinite between 0 and 1]. : Kiyoshi Hayashi (Esquire Magazine Japan) and Access Publishing Co., 2009.
  • Beijing Accelerator -
    Beijing Accelerator was created after being inspired by a recent visit to Beijing, and the realization of how quickly the dynamics of a city could transform into such apparent modernism. Although similar to an earlier prototype, Panoramic
  • Paul Friedlander
    In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
  • How Games Can Help us Access and Understand Cultural Artifacts
    Flanagan, Mary and Peter Carini. How Games Can Help us Access and Understand Cultural Artifacts American Archivist 75, no. 2 (2012): 514-537.
  • Conférence RIAM, La Belle de Mai, Marseille, 29 avril 2003 -
    Event: Conférence RIAM, La Belle de Mai, Marseille, 29 avril 2003Institution: RIAM - Les Rencontres de Indentity & Access ManagementComment:
  • 080808 UpStage Festival -
    080808, the second UpStage festival of online performance, took place on 8 August 2008, featuring 13 performances by artists from around the world, and RL access nodes in Wellington, Munich, Oslo and LA.
  • The Paradise Institute
    Could this be the future of cinema? ''The Paradise Institute,'' by Janet Cardiff and George Bures Miller, is an almost scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of
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