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LAB 1: ART+COM - Virtual Reality and The Divine Spark 1987 - 1987

ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in
Der symbolische Tausch und der Tod 1982

Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
Viewpoint Dependent Imaging: An interactive stereoscopic display 1982

Fisher, Scott S.. Viewpoint Dependent Imaging: An interactive stereoscopic display In Proc. SPIE367, edited by S. Benton: J.J. Pearson, 1982.
Between Zero and One 2024

Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
Kim Asendorf

Kim Asendorf is a conceptual artist and works in a large area of media and digital related art. He loves to transport things from the Internet into real life and back. Kim did several net art projects, often based on data taken from the Internet or
V2_Lab for the Unstable Media 1981
Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung 1982

Gibson, James J.. Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung. München: Urban and Schwarzenberg, 1982.
Navigator. A Posthumous Biography of Geoffrey Lloyd 1982

Penny, Simon, ed. Navigator. A Posthumous Biography of Geoffrey Lloyd. Adelaide, AUS: Experimental Art Foundation, 1982.
Die Form der Zeit: Anmerkungen zur Geschichte der Dinge 1982

Kubler, George. Die Form der Zeit: Anmerkungen zur Geschichte der Dinge. Frankfurt/Main: Suhrkamp, 1982.
Joseph Nechvatal

Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,

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