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  • Digital Paint Study, 1985 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1985 This is one of the earliest digital images by Victor
  • LAB 1: ART+COM - Virtual Reality and The Divine Spark -
    ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in
  • Yasuaki Matsumoto
    Lives and works in Osaka, Japan until 1982 he studied at the Kyoto City University of Arts, Japan. Since 1991 he has been collaborating with Masayuki Towata in their group "Intertextuality" Currently he is working at the department of Fine Arts at
  • Der symbolische Tausch und der Tod
    Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
  • Joseph Nechvatal
    Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • Viewpoint Dependent Imaging: An interactive stereoscopic display
    Fisher, Scott S.. Viewpoint Dependent Imaging: An interactive stereoscopic display In Proc. SPIE367, edited by S. Benton: J.J. Pearson, 1982.
  • Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung
    Gibson, James J.. Wahrnehmung und Umwelt: Der ökologische Ansatz in der visuellen Wahrnehmung. München: Urban and Schwarzenberg, 1982.
  • Navigator. A Posthumous Biography of Geoffrey Lloyd
    Penny, Simon, ed. Navigator. A Posthumous Biography of Geoffrey Lloyd. Adelaide, AUS: Experimental Art Foundation, 1982.
  • Die Form der Zeit: Anmerkungen zur Geschichte der Dinge
    Kubler, George. Die Form der Zeit: Anmerkungen zur Geschichte der Dinge. Frankfurt/Main: Suhrkamp, 1982.
  • Substance -
    We live today in an age of simulation as coined by French sociologist Jean Baudrillard. According to him, simulation is defined as the coinciding of appearance with reality. Thus, the boundaries between fiction and reality are blurred and
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