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Das Kunst-Gen
2000
Schmundt, Hilmar. Das Kunst-Gen Der Spiegel 26 (June 26th 2000): 114.
Reverse Authentification
2002
Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
Das Sedanpanorama. Einübung soldatischen Gehorsams im Staatsbild durch Präsenz
2005
Grau, Oliver. Das Sedanpanorama. Einübung soldatischen Gehorsams im Staatsbild durch Präsenz In Panorama: Virtualität und Realitäten - II. Internationale Panoramakonferenz in Altötting 2003, , 38 - 52. : Verlag Koch - Schmidt - Wilhelm GbR, 2005.
WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect
1996
Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.
Biotechnologie und Kunst
1981
Weibel, Peter. Biotechnologie und Kunst In Technik und Gesellschaft: Symposium der Technischen Universita?t Wien, 24.-30. 8. 1980, Lech am Arlberg, edited by Manfred Schmutzer and Technische Universita?t Wien and Interdisziplina?res
Reverse Authentification
2002
Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
Reverse Authentification
2002
Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].
Wolfgang Schneider
Scholar: Wolfgang Schneider
Globale Netzhaut - Multimediaforschung in Kunst und Kultur
1997
Fleischmann, Monika. Globale Netzhaut - Multimediaforschung in Kunst und Kultur In Menschen-Masse-Medien, Interaktion oder Manipulation, edited by Beate SchneiderUlm, DE: Internationales Forum für Gestaltung, 1997.
Digital Synesthesia: A Model for the Aesthetics of Digital Art
2016
Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.
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