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The Human Body as an Audiovisual Instrument.
2020
Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
Art as Digital Exploration
2018
Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.
“Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr
2005
Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.
"We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651
2016
Jamieson, Helen Varley. "We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651. USA: IGI Global, 2016.
"We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.
2017
Jamieson, Helen Varley. "We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.. Advances in Art and Visual Studies, New York: Routledge, 2017.
"UpStage, cyberformance et assistance intermédiale" - chapter inThéâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;
2014
Jamieson, Helen Varley. "UpStage, cyberformance et assistance intermédiale" - chapter in Théâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;. Ars du spectacle - Images et sons, Lille, France: Presses
Extranjería como contexto. Interculturalidad y arte digital iberoamericano
2009
García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.Book chapter. ISBN: 978-987-1496-03-7, Extranjeros en la tecnología y la cultura th ed.Buenos Aires, Argentina: Colección
Investigación-Creación: Arte y Ciencia, Política y Economía (chapter).
2019
Dal Farra, Ricardo. Investigación-Creación: Arte y Ciencia, Política y Economía (chapter).. Uruguay: Observatorio Iberoamericano de Artes Digitales y Electrónicas - Universidad de la República, 2019.
Slippery Traces
1995
-
1996
Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
Mutter or On Formally Undecidable Propositions of Principia Mathematical And Related Systems by Gödel revisited
2000
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2001
Mutter or On Formally Undecidable Propositions of Principia Mathematical And Related Systems by Gödel revisited Genetic Digital Cartoon, 42 chapters 2000 http://www1.khm.de/~marcello/html/mutter.html
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