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  • Stephen Jones
    An Australian electronic musician, video artist and electronic engineer. "I have been active in video production since 1974. My first involvement was with Bush Video and the Paddington Video Access Centre where I learnt video editing and technical
  • The Co-Opticon: Shared Access to a Robotic Streaming Video Camera
    Goldberg, Ken and Dezhen Song. The Co-Opticon: Shared Access to a Robotic Streaming Video Camera In ACM MultiMedia Conference, Berkeley, November 2003, Berkeley, CA: 2003.
  • Microsoft Access 2000. Das Handbuch
    Albrecht, Ralf and Natascha Nicol. Microsoft Access 2000. Das Handbuch. Unterschleißheim: Microsoft, 1999.
  • TeleZone Overview -
    "Telezone" builds on many of the ideas of Ken Goldberg's earlier "Telegarden" (1995) also at the Ars Electronica Center, and allows a community of people to collaboratively create architectonic structures--and by extension social structures--at a
  • Tryalogue
    Three white balls in the field of snow. The balls are robots capable of autonomous and coordinated movements. They are exchanging information about their reciprocal positions and are using as a motion equation the law which is qualitatively
  • Ars Electronica 1994 Award Winners
    Bond, Fran. Ars Electronica 1994 Award Winners access 8, no. 2 (1994): 28.
  • Introductory Essay from a CAMP Event : On the Excess of Images, and of Access to Images
    Sukumaran, Ashok. Introductory Essay from a CAMP Event : On the Excess of Images, and of Access to Images .
  • +/- [the infinite between 0 and 1]
    Yoshizaki, Kazuhiko and Kohsuke Murata Murata and Kazuya et. al. Kondo, ed. +/- [the infinite between 0 and 1]. : Kiyoshi Hayashi (Esquire Magazine Japan) and Access Publishing Co., 2009.
  • Beijing Accelerator -
    Beijing Accelerator was created after being inspired by a recent visit to Beijing, and the realization of how quickly the dynamics of a city could transform into such apparent modernism. Although similar to an earlier prototype, Panoramic
  • Paul Friedlander
    In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
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