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-. Untitled Eva & Co. 18 (1990).

Gwen Kuan-ying Kuo. Gwen Kuan-ying Kuo, “From Pupa to Eve Clone: Lin Pey-Chwen Empowering Femininity” “From Pupa to Eve Clone: Lin Pey-Chwen Empowering Femininity” (1993).

Hongjohn Lin. Hongjohn Lin, “Interpassivity within a Clone” “Interpassivity within a Clone” (2011).

Li-chn Lin. Li-chn Lin, “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” (2004).

Ming Turner. Ming Turner, “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Pey Chwen Lin—The Portrait of Eve Clone” “Pey Chwen Lin—The Portrait of Eve Clone” (2010).

Jane Tseng. Jane Tseng, “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” (1999).

Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).

Pierre Martin. Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).