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Software Art: comportamento e experiência em ARTE INTERATIVA 2008

DOMINGUES, DIANA MARIA G. Software Art: comportamento e experiência em ARTE INTERATIVA Aplauso 92 (2008).
Rudiments Mapping - An Axiomatic Approach to Music Composition 2003

Hsin Hsin, Lin. Rudiments Mapping - An Axiomatic Approach to Music Composition .
Mashup art e crawler art: o sublime tecnológico do lixo remixado 2009

DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art 2009

... investigation into the relationship between the...
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance 2010

... Considerations for the Re-conceptualization of...
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition 2010

...Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2007

... In Proceedings for the 2007 International Computer...
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" 2009

...nta. Excerpts from "Text-based: Aesthetic Treatment of Sound...
Designing Comprehensible Agents 1999

Sengers, Phoebe. Designing Comprehensible Agents In International Joint Conference on Artificial Intelligence (IJCAI-99), Stockholm, Sweden: 1999.

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