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  • Liverpool: FACT, The Foundation for Art and Creative Technology. JODI: Computing 101 B.. United Kingdom: In association with exhibition at Spacex, Exeter, UK, 2004.
  • Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).
  • Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. Physical Computing and New Media Art – new challenges events. 27. Tonmeistertagung (2012).
  • Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.
  • Hosale, Mark-David and Erika Batdorf and Kate Digby and Alan Macy. Research Report: Performance, Art, and Cyber-Interoceptive Systems (PACIS) Proceedings of Movement and Computing conference, Tempe, Arizona (MOCO 2019) (October 2019): 8.
  • Dr Paul Thomas, is Professor of Fine Arts at, UNSW Art and Design, UNSW Sydney. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference series since 2010. In 2000 Paul instigated and was the founding Director of the Biennale
  • Strauss, Wolfgang and Monika Fleischmann. Information Jukebox? A semi-public device for presenting multimedia information content. Personal and Ubiquitous Computing 7(3-4), no. DOI: 10.1007/s00779-003-0219-x (July 2003): :217-220.
  • Courchesne, Luc. Day Dawns, Light Appears, Let us open our eyes... In Lumières, Perception-Projection, Les Cent jours d´art comtemporain, , 35-48. Montréal, CAN: Centre international d´art contemporain, Montréal, 1986.
  • Rubino, Giovanni (ed.). Scatole sonore. La poesia reclusa, Palinsesti 2012, 28.10. – 2.12. 2012 . San Vito al Tagliamento: Comune di San Vito al Tagliamento (2012).
  • Strauss, Wolfgang. Entre 0+1: Ampliar os limites do espaco Revista de Comunicação e Linguagens 25/26 (1998): 185-191.