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  • Please follow the link on top to see the work of Fleischmann and Strauss
  • I am a prolific painter with an interest in contemporary technology and its potential uses in art production. I am conscientious artist with a deep concern for communities (past, present and mythical), people, science and the role of the individual
  • Pam Skelton is a media artist, professor and researcher. Is Professor at Central Saint Martins College of Art & Design and Research Associate at the Photograph and the Archive Research Centre, London. Studied at Southport School of Art Camberwell
  • Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity
  • Shannon, Claude Elwood and Warren Weaver. The Mathematical Theory of Communication. Champaign, IL: University of Ilinois Press, Urbana III, 1949.
  • Paul DeMarinis has been working as an electronic composer since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has taught computer, video and audio art at Mills College,
  • Christina Kubisch was born in Bremen in 1948. She studied music, painting and electronics. Performances and concerts until 1980, subsequently sound installations, sound sculptures and work with ultraviolet light. Numerous grants and awards, such as
  • Leonel Moura is a pioneer in the application of robotics and artificial intelligence in art. In 2001 he created the first robot arm able to generate unique paintings operate by an ‘ant algorithm’. In 2003 a swarm of ‘Painting Robots’ were able to
  • Jack Ox is a media artist working on visualisation of music for more than 25 years. She is Professor at The University of New Mexico and Co-director of SARC (Science Art Research Collaboration). She had been in the editorial board of Leonardo since
  • Wiener, Norbert. Cybernetics, or Control and Communication in the Animal and the Machine. New York: Wiley and Sons, 1948.