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Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art 2003

Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].
Decidophobia – an artistic research on the possibilities of immersive environments 2014

... an artistic research on the possibilities of immersive...
Peristrephic Pleasures, or the Origins of the Moving Panorama 2004

..., Erkki. Peristrephic Pleasures, or the Origins of the Moving...
Artistic Gesture: Expression, Communication, Participation 2001

Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.
NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces 2012

... of nanotechnologies in the hackerspaces Journal of... Kera Denisa. NanoSmano Lab in Ljubljana: disruptive prototypes and...
‘Instructions’ catalogue essay for Fieldwork 2 2012

Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).
The Context is the Message: Interactive Art as a Medium of Communication 1997

...Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art...
" The possibility of communication",in « Communication-identification » 1998

...Manovich Lev. " The possibility of communication", in «...
" Emotion Machines and Database Imagination ",in « Communication-identification » 1999

Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.
Performance Art+Internet = Communication 2018

Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.

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