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Territories and Resources
2008
Event: Territories and ResourcesInstitution: Cinema City - International Film FestivalComment:
Involuntary Resources
2015
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2015
Event: Involuntary ResourcesInstitution: Digital Interactive Art spaceComment:
Points of View I
1983
video
Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience. The action of the work was
RESET III and VIRTUAL REALITY
2017
-
2017
With Virtual Reality (VR) a fundamental change is taking place in the digital age. Through the VR glasses people enter a new world instead of only looking at it on a flat screen. The human pursuit of immersion already demonstrated within the
Up to 625
1997
-
1997
Up to 625, functions on a structure accessed through the five key colors. A first image in five colors ramifies into five images, which in turn lead to twenty-five, and so on up to a corpus of 625 images. As the visitor moves through the website she
Petit Mal
1989
-
1993
Although much work has been done in the field of screen-based interactive art, the mode of interaction in these works is confined by the very existence of image material on a screen, the so called "graphical user interface". I am particularly
Dinosaurus
2001
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2001
This KU Theatre for Young people production is another step in the University Theatre's ongoing work with virtual reality technology. Director Patrick Carriere, Bemidji, MN, graduate student, and Mark Reaney professor of theatre & Film teamed
The Distorted Barbie
1996
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1996
"The distorted Barbie" is a web-art installation that displayed digitally altered images of Barbie dolls in order to comment on Barbie as a cultural/commercial symbol and pop-icon. He published his original Distorted Barbie both on his own site at
Dinka Pignon
Dinka Pignon is an interdisciplinary media artist working with spatial video installation and performance art. Her experimental practice is characterized by a strong affinity for the phenomenal, liminal, conceptual and minimal. Her work is situated
New-media arts-based public engagement projects could reshape the future of the generative biology.
2020
Ahmedien, Diaa. New-media arts-based public engagement projects could reshape the future of the generative biology. Medical Humanities , no. https://mh.bmj.com/content/early/2020/05/28/medhum-2020-011862 (2020).
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