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  • Timo Kahlen
    Sound sculptor and media artist Timo Kahlen (*1966) chooses to work with the ephemeral: with wind and steam, with light and shade, with pixels and dust, with sound, noise and vibration. His work has been shortlisted for various renowned
  • Virtuelle Räume im Reich der Sinne
    Shaw, Jeffrey. Virtuelle Räume im Reich der Sinne In Kultur und Technik im 21. Jahrhundert, edited by Gert Kaiser and Dirk Matejovski and Jutta Fedrowitz, 329-334. Frankfurt, New York: Campus Verlag GmBH, 1993.
  • Anamorphic Kinetic
    In 2011 a kinetic installation for the deutsche bank headquaters in Frankfurt had been realized on the basis of an anamorphic distortion of their logo. The logo had been designed by anton Stankowsky in 1974 and was a radical step towards simplicity
  • Critical Art Ensemble
    Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
  • [ epidemiC]
    [epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
  • Thorsten Fleisch
    After highschool and community service in an institution for the mentally ill he went to Marburg to study art, music and media at Phillips Universität. One year later he changed to the Städelschule in Frankfurt in order to study film with Peter
  • Hegedus
    Agnes Hegedüs, born in Budapest in 1964 studied Photography and Video Art at the Budapest Academy of Applied Arts, followed by the Minerva Academy, Groningen, the Kunstakademie Enschede and the Institute of New Media, Städelschule, Frankfurt/Main.
  • Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language
    Zapp, Andrea. Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language In Computer Art Faszination, edited by Gerhard Dotzler, 236. Frankfurt/Main: Dr. Dotzler Medien Institut, 1993.
  • Theorie des Films: Die Errettung der Äußeren Wirklichkeit
    Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
  • Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie
    Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.
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