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  • Quasar 2.0: Star Incubator (Q2:SI) is an immersive interactive light and sound installation. Providing a spatial reflection of renewing and evolving life-cycles, the Q2:SI body is conceived of an array of structural prototype elements, electronic
  • Beesley, Philip and Sarah Bonnemaison, ed. ON GROWTH AND FORM: ORGANIC ARCHITECTURE AND BEYOND. Halifax: TUNS Press and Riverside Architectural Press, 2008.
  • Bonnemaison, Sarah and Christine Macy and Rob Gorbet and Philip Beesley, ed. RESPONSIVE TEXTILE ENVIRONMENTS. Halifax: Riverside Architectural Press and TUNS Press, 2007.
  • Beesley, Philip and Sarah Bonnemaison, ed. ON GROWTH AND FORM: THE ENGINEERING OF NATURE, Conference, October 5-7, 2001. Waterloo, Ontario: University of Waterloo School of Architecture, 2001.
  • Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights.
  • Sarah Cook is a Canadian scholar, historian and curator in the field of New Media art, who is based in Newcastle upon Tyne. Cook is a Research Fellow at the University of Sunderland, where she works with the research institute CRUMB – Curatorial
  • Neidich, Warren. The Sarah Palin Memorial Library. East Hampton, New York: Glenn Horowitz Books, 2010.
  • Immersive film, specially designed for a fulldome environment. Multiple 3D landscapes modulated by female voices. The physical absence of the performers is materialized here by the pairing of the spatialization of their litanies to the movement of
  • GRAHAM, BERYL and SARAH COOK. RETHINKING CURATING: ART AFTER NEW MEDIA. USA: LEONARDO PRESS, 2010.
  • Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such