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  • Alpevent -
    In the Alpevent white polythene tubing was slowly inflated inside a somewhat confined space. The people there dragged and wove the tubing around their bodies, but expanding plastic gradually pushed many of them out of the room. A further performance
  • Pedro Alves da Veiga is a Portuguese transdisciplinary artist and researcher. He holds a degree in Computer Science (Nova University of Lisbon), a Post-graduation in Advanced Studies of Digital Media Art (Aberta University) and a PhD in Digital
  • Alba D'Urbano is an artist from Italy. She studied philosophy and painting in Rome and studied visual communication in Berlin (Hochschule der Künste). Since 1995 she is professor of computer graphics at the “Hochschule für Grafik und Buchkunst” in
  • Art Futura
  • More&Less
    An installation in two rooms. One was filled with an inflatable structure that was slightly smaller than the room - visitors had to squeeze between it and the walls. In the other room the structure was larger than the room and so covered all its
  • This work created a collage of fictional events within a museum space by making projected images of the events appear contiguous with the real space and actual situations. The work was constituted by two structural elements: a large projection
  • The foundation of my work has always begun with the photograph, which has been rightly considered a “moment” often effectively standing as a singular, self-contained expression. Although this is certainly one important aspect of photography, it has
  • Christopher Hales studied PhD research on Interactive Film Art at the RCA Film and TV Department, and taught as Senior Lecturer at the Faculty of Art of the University of the West of England [Bristol] until 2001. His interactive films and CD-ROMs
  • The event took place in two adjacent rooms. In the first Shusaku gave a Buto performance on the edge of a raised circular steel construction within which the image of a black bull was painted on the white floor. A video camera pointed at this
  • The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue