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... or cooing depending on the way the viewer addresses it” (Stephen Wilson, Information Arts. Intersections of Art, Science, and Technology, Cambridge/Mass.: MIT Press 2002, p. 795). “It doesn't matter what words you use, but rather your tone of voice. So,...

... to make music to communicate particular emotions” (Stephen Wilson, Information Arts. Intersections of Art, Science, and Technology, Cambridge/Mass.: MIT Press 2002, pp. 795-796).

... can be seen as time pixels. When you take the cubes and put them together you do a very elementary thing of digital signal technology: assembling a more complex information flow out of small units

... machine is nervous). Most of the times the machine succeeds to hold the ball and calms down again, but sooner or later the technology will fail and the ball falls down. Sakrileg won the first prize of Conrad Electronic art competition for electronic art...

... virtual bodies, they can physically touch one another through the network. The cyberSM project makes communications technology transparent. It allows us to extend our physical perceptions over distances, through computer neworks, and beyond virtual...

...sense:less is a place for humans to experience a stranger alternate reality. Through VR technology and a custom made body suit sense:less puts the user in a multi-sensory environment. This is a dramatic space, influenced by theatre, and the users journey through...

... are not verbal (they are chosen from a computer screen). Yet the interactivevideo installation, which uses widely available technology, works as a metaphor for an encounter. As with other virtual reality systems, my portraits are worlds onto themselves...