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  • ... Institute for AdvancedStudy, that accordingly...
  • The Four Senses was a series of multi-sensory concerts performed at the Dorothy Winstone Theatre in Auckland in 2002. It built upon two 1999 events - one conceptualised and realised by New Zealand artist Raewyn Turner and one that was created by
  • Extended Family -
    "Installation with human beings (Homo sapiens), zebra-fish (Danio rerio), fruit flies (Drosophila melanogaster) and DNA microarrays. With “The Extended Family” the similarities between all live organisms are asserted. It will be shown that when
  • Event: New Technological Art Award 2019Institution: ZebrastraatComment:
  • The Thinking Machine -
    Large retrospective show with many artists from computer art history: Ai-Da Robot, Victor Acevedo, Vladimir Bonačić, Analivia Cordeiro, Pierre Cordier, Geoff Davis, Hans Dehlinger, Boris Eldagsen, Primavera de Filippi, Herbert W. Franke, Hein
  • De Kerckhove, Derrick. Die Wiederkehr der Sinne in der "Netzwerk-Kunst" In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias, 71-81.
  • Dreher, Thomas. Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten., edited by Wolfgang
  • Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert
  • Beyond Hierarchy -
    Upon entering the former Verwaltungshalle in the administration center of the Zeche Zollern II, a historical sweep through the lives of six workers from the Ruhr region can be experienced. Embedded inside the architectural frieze of the high atrium
  • The project takes on two forms - the installation in an old mine in Dortmund: Zeche Zollern II/IV and the online version. The site-specific installation is experiential with sound taking on an important role. Spatialized sound is triggered by