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"… Exister, être-auprès-de et comprendre… "
2001
Lestocart Louis-José. "… Exister, être-auprès-de et comprendre… ". Paris, France: ,, 2001.
Choreographic Computabilities
2023
Pollitt Jo and Nancy Mauro-Flude. Choreographic Computabilities 1 (2023): 50–57.
Terrarium Places
2004
DOMINGUES, DIANA MARIA G. Terrarium Places Maior Ou Igual a 4d Arte Computacional Interativa (2004): 30-35.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2007
Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by
Featured Artwork "Campos ❘ Temporales" by Paul Hertz (2022 - 2023)
05/2024
Campos | Temporales (2022 - 2023) by Paul Hertz is a large-scale architectural video installation created for 150 Media Stream in Chicago, featuring a musical composition by Christopher Walczak during its opening night.
Computadora, instrumento de un nuevo lenguaje al finazar el siglo XX
1996
Malvido, Adriana. Computadora, instrumento de un nuevo lenguaje al finazar el siglo XX La Jornada (May 20th 1996).
Particle Animation and Rendering Using Data Parallel Computation
1990
Sims, Karl. Particle Animation and Rendering Using Data Parallel Computation In SIGGRAPH '90: The 17th Annual Conference on Computer Graphics and Interactive Techniques, , 405-413. Dallas: 1990.
(Re)Thinking - the body, generative tools and computational articulation,
2010
Seaman, Bill. (Re)Thinking - the body, generative tools and computational articulation, Technoetic Arts: A Journal Of Speculative Research 7, no. 3 (2010).
Data Science and Computational Art History
2015
Manovich, Lev. Data Science and Computational Art History International Journal for Digital Art History (JUNE 2015).
Konrad Zuse: enabler of computational arts?
2016
Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).
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