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Peristrephic Pleasures, or the Origins of the Moving Panorama 2004

Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
Artistic Gesture: Expression, Communication, Participation 2001

... Laznia Centre for Contemporary Art, 2001.
NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces 2012

Kera Denisa. NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces Journal of Science Communication (December 2012): 5.
‘Instructions’ catalogue essay for Fieldwork 2 2012

... catalogue essay for Fieldwork 2 RCA Visual...
" The possibility of communication",in « Communication-identification » 1998

Manovich Lev. " The possibility of communication", in « Communication-identification ». Paris, France: ,, 1998.
The Context is the Message: Interactive Art as a Medium of Communication 1997

Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International Symposium on Electronic Art, edited by Michael B. Roetto, 36-40. Rotterdam: 1997.
" Emotion Machines and Database Imagination ",in « Communication-identification » 1999

Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.
Performance Art+Internet = Communication 2018

...Albuquerque, Beatriz. Performance Art+Internet =...
Architectures réactives de la communication 1998

Benayoun, M.. Architectures réactives de la communication www.benayoun.com.
LumiTouch: An emotional communication device 2001

... EA ’01). Association for Computing Machinery ...

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