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Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Nastop namišljenega umetnika Ursa Bolda 2019

Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Bodyscope 2012

Dobnikar, Žiga. Bodyscope Kibla – multimedia center, Maribor, Slovenia. (2012).
Vanitas 2012

Grafenauer, Petja. Vanitas Equrna Gallery, Ljubljana, Slovenia (http://www.ursulaberlot.com/wp-content/uploads/2019/12/Grafenauer-Petja.-2012.pdf 2012).
Uršula Berlot: Reflection, Museum of Modern Art, Small Gallery, 28. 6. – 25. 8. 2002 2002

Petrešin, Nataša. Uršula Berlot: Reflection, Museum of Modern Art, Small Gallery, 28. 6. – 25. 8. 2002 Ljubljana: Museum of Modern Art (2002).
Biofeedback and Choreography 2006

Robles, Claudia. Biofeedback and Choreography Performative Science and Beyond, Involving the Process in Research, Hans. H. Diebner editor, Springer Verlag. ISBN 978- 3- 211-33357-0 (2006): 146 – 147.
Creating Interactive Multimedia Works with Bio-data. 2011

Robles, Claudia. Creating Interactive Multimedia Works with Bio-data. NIME 2011 Proceeding (2011): 421-424.
White Heat Cold Logic: British Computer Art 1960-1980 2008

Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.
FILE SÃO PAULO 2018: O corpo é a mensagem 2018

Perissinotto,Paula & Barreto,Ricardo, ed. FILE SÃO PAULO 2018: O corpo é a mensagem. Vol.1000. 1st th ed.São Paulo: Sesi Editora, 2018.

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