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Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition 2010

... Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

...Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2007

... and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In...
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" 2009

... Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Designing Comprehensible Agents 1999

...Sengers, Phoebe. Designing Comprehensible Agents In International Joint Conference on Artificial Intelligence (IJCAI-99), Stockholm, Sweden: ...
"… Exister, être-auprès-de et comprendre… " 2001

...Lestocart Louis-José. "… Exister, être-auprès-de et comprendre… ". Paris, France: ,, 2001.
Featured Artwork "Campos ❘ Temporales" by Paul Hertz (2022 - 2023) 05/2024

... created for 150 Media Stream in Chicago, featuring a musical composition by Christopher Walczak during its opening night.
Choreographic Computabilities 2023

...Pollitt Jo and Nancy Mauro-Flude. Choreographic Computabilities 1 (2023): 50–57.
Terrarium Places 2004

...DOMINGUES, DIANA MARIA G. Terrarium Places Maior Ou Igual a 4d Arte Computacional Interativa (2004): 30-35.
Computadora, instrumento de un nuevo lenguaje al finazar el siglo XX 1996

...Malvido, Adriana. Computadora, instrumento de un nuevo lenguaje al finazar el siglo XX La Jornada (May 20th 1996).

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