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Sommerer, Christa and Laurent Mignonneau. Modeling Complexity for Interactive Art Works on the Internet In Art and Complexity: At the Interface, edited by John Casti and Anders Karlquist, 85-107. Amsterdam, NL: Elsevier, 2003.

Everitt, Dave and Alec Robertson. Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media International Journal of Performance Arts & Digital Media , no.

Aramis López, Juan. Del cálculo numérico a la creatividad abierta: el Centro de Cálculo de la Universidad de Madrid, 1965-1982. Madrid, Spain: Universidad Complutense de Madrid, 2012.

DOMINGUES, DIANA MARIA G. Software Art: comportamento e experiência em ARTE INTERATIVA Aplauso 92 (2008).

DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic

Hsin Hsin, Lin. Rudiments Mapping - An Axiomatic Approach to Music Composition .

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.