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Sheer, Ursula. Bilder in einer Welt ohne Rahmen FAZ (February 2017).

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).

Irrgang, Christina. Banz & Bowinkel / Kunst und Denker Contemporary https://www.kunstunddenker.com/banzbowinkel.

Birch, Lisa. Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel http://www.berlinartlink.com/2017/02/07/virtual-reality-the-unframed-world-an-interview-with-banz-bowinkel/.

Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).

Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.

Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.

Vincenzo de Bellis and Caroline Dumalin, ed. MARIO GARCÍA TORRES: ILLUSION BROUGHT ME HERE. Minnesota: Walker Art Center, 2019.

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

Kluszczyński, Ryszard W. and Derrick de Kerckhove and Luca Farulli and Monika Fleischmann and Wolfgang Strauss and Ryszard W. Kluszczyński and Derrick DeKerckhove and Luca Farulli and . Performing Data - Monika Fleischmann + Wolfgang Strauss.